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A Foggy Rebirth: Shattering the Myths in Marion Zimmer Bradley’s The Mists of Avalon

book review

King Arthur, Excalibur, the Round Table… tales as old as time, right? Well, not if Marion Zimmer Bradley has anything to say about it. “The Mists of Avalon” thrusts these familiar names into the unfamiliar, from a world of masculine heroics into a shadowy realm of feminine strength. The time-old knights and chivalry sagas take a backseat, while women, magic, and pagan beliefs assume the steering wheel.


“The Mists of Avalon” isn’t just a retelling of the Arthurian legends; it’s a complete upheaval of them. The narrative shifts its focus from the stalwart King Arthur to the lives of the women who shaped his destiny. We’ve got Morgaine (Morgan le Fay in traditional lore), the priestess of Avalon and half-sister to Arthur, who’s torn between her loyalty to the old ways of Avalon and her love for the Christianized Camelot.

Viviane, the Lady of the Lake, Igraine, Arthur’s mother, and Gwenhwyfar (Guinevere), Arthur’s queen, complete the quartet of powerful women driving the story. Their complex relationships, internal struggles, and manipulation of the threads of destiny create a mesmerizing tapestry of feminine power, laced with the magical mists of Avalon.

Notable Quotes:

“There is no such thing as a true tale. Truth has many faces and the truth is like to the old road to Avalon; it depends on your own will, and your own thoughts, whither the road will take you.”

“Everything which is done in the present, affects the future by consequence, and the past by redemption.”


Marion Zimmer Bradley’s “The Mists of Avalon” is the feminist Arthurian legend we didn’t know we needed. By centering the narrative around the women of Avalon and Camelot, Bradley recasts the well-trodden tale into something new and vibrant. The prose is as heavy and dense as the titular mists, with a lyrical quality that can be breathtakingly beautiful.

Bradley’s portrayal of Pagan and Christian religious tension is handled with a nuanced touch, and her exploration of the power dynamics between men and women in a changing society is provocative, albeit a bit black-and-white at times.

While the hefty length and unhurried pace of the book may deter some readers, those who persevere will be rewarded with a lush and intricate retelling of the Arthurian legends that’s as haunting as the mists themselves.


With its innovative perspective, rich prose, and complex characters, “The Mists of Avalon” gets a 4.5 out of 5.

Author Bio

Marion Zimmer Bradley was an American author best known for her works of speculative fiction. She’s well-known for her “Darkover” series, but her most enduring work remains “The Mists of Avalon,” a retelling of the Arthurian legends from the perspective of the female characters. Her literary career spans several decades and includes multiple series and standalone works.

FAQs / Book Discussion Questions

  1. How does “The Mists of Avalon” challenge traditional representations of women in Arthurian legends?
  2. Discuss the religious tension between Christianity and Paganism in the novel. How does it reflect on the characters’ identities and the changing society?
  3. How does the concept of fate play out in the novel?
  4. Choose a character and discuss their development throughout the novel. What factors contribute to their change?

Avalon in HD: Bringing the Mists to the Small Screen

“The Mists of Avalon” didn’t just shake up the literary world; it stirred the waters of television as well. In 2001, TNT brought Bradley’s vision to the small screen in a two-part, three-hour miniseries adaptation of the same name.

With a star-studded cast including Julianna Margulies as Morgaine, Joan Allen as Morgause, and Anjelica Huston as Viviane, the series attempted to capture the essence of Bradley’s Avalon. The focus remains on the women at the heart of the tale, with their intricate relationships and the mystical elements of their world serving as the backbone of the narrative.

As is often the case with adaptations, the series takes some liberties with the source material, altering characters and plot points to fit the condensed format. The miniseries doesn’t fully capture the depth and complexity of Bradley’s novel, but it’s an ambitious attempt that’s worth a watch for fans of the book or Arthurian legends in general.

Where it truly shines, though, is in its visuals. The cinematography paints a vivid picture of Bradley’s world, from the shadowy mysteries of Avalon to the sunlit splendors of Camelot. It’s a feast for the eyes that brings a different dimension to Bradley’s world, even if it doesn’t fully capture the novel’s complexity.

Despite some mixed reviews, the miniseries was a success on the awards circuit, securing a nomination for the Primetime Emmy Award for Outstanding Miniseries. Whether you’re a fan of the book or just dipping your toes into the Arthurian legends, it’s worth drawing back the mists and giving it a watch.

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