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Description
Editorial Reviews
Review
“What a daring, even dangerous, act of the imagination this novel is! Not Me challenges one emotionally and intellectually. It’s that rare phenomenon: a philosophical thriller that will draw you in and leave you arguing furiously with yourself after you’re done.”
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“A novel with a powerfully unsettling moral conundrum at its heart: Is radical evil indelible; can anything undo it? But what philosophy cannot resolve, storytelling triumphantly can. Lavigne’s radiantly imagined portrait of human possibility never obscures the blackest abyss of real history, and his Heshel Rosenheim emerges with all the complexity of a modern Raskolnikov.”
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“Michael Lavigne has an immensely powerful story to tell of guilt and redemption. Beyond its riveting plot, Not Me is a novel about the loss and recovery of love. In this sense it reminded me of Dickens’s Great Expectations: Heshel Rosenheim is as mysterious and haunting as Magwitch, and the lesson that his uncanny life imparts to his son, and to Lavigne’s readers, is on a grand human scale, and unforgettable.”
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“Family secrets, awful historical truths, the nature of good and evil, and the bond between a son and his father are woven seamlessly into a page-turning plot. Michael Lavigne writes with generosity of heart and he leaves the reader with an abundance of hope. Not Me is a powerful debut novel.”
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“A disturbing yet surprisingly tender read that grips the reader from page 1 and never lets go. Michael Lavigne tells his intriguing story with intelligence, sensitivity, and flashes of scintillating wit….
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Copyright © American Library Association. All rights reserved
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The last person in the world I wanted to know about was my father. I did not want to know if he had lovers. I did not want to know if he took diuretics. I certainly did not want to know if he liked to masturbate, or if, even occasionally, he fantasized about teenage boys. It was of absolutely no interest to me if he cheated at bridge, or if his secret ambition was to become a ballet dancer, or if he had an obsession with women’s shoes, or if he washed his body with lemon, or if he hit my mother (especially, God forbid, if she liked it). So when I was presented with twenty-four volumes of journals, each bound with a rubber band so old it was as brittle as the leather cover it held together, and was told, “These are your father’s, take them,” I was less than enthusiastic. Especially since it was my father who gave them to me.
“These are your father’s,” he said, “take them.”
“Dad,” I said, “you are my father.”
He looked at me quizzically. His eyes were like aspic. Cloudy. Beneath which something obscure, unappetizing.
“Where’s Karen?” he asked.
“Karen is dead,” I reminded him.
“That’s not true,” he said. “She was just here. I was speaking to her. Take these.”
With his feet, he pushed the box of journals toward my chair.
“All right,” I said, “I’ll take them. But I won’t read them.”
Then he turned away, and looked out the window.
“I’m waiting for Frau Hellman,” he said.
“Okay, Dad,” I said. I had no idea who Frau Hellman was. Maybe someone from his childhood, or maybe his name for the lady who washed him.
After a little while I realized he had forgotten I was in the room. The space between us seemed to grow as if I were standing on a dock, and he were sailing away on the Queen Mary. I say the Queen Mary because he once actually did sail away on her, and I really was left behind, waving. Still, it was unthinkable that I would have a troubled relationship with my father. If I was not the perfect son, he was certainly the perfect father.
I reminded myself of that as I sat there looking at him drooling, his head lolling back like a toddler’s asleep in his car seat.
“He’s doing just great, isn’t he?” the station nurse said. “We just love him!”
I held out the box to her. “Where did he get these? They weren’t in his room before.”
“I don’t know. I think someone brought them.”
“Who brought them?”
“He has so many visitors.”
“He does?”
“You know how popular he is!”
Actually, I didn’t know he knew anybody. I thought everybody he knew was dead. I thanked Nurse Clara—her name was emblazoned on her ample, nurturing breast—and walked out into the brutal Florida heat. The car was only a few steps away, but I might as well have been crossing the Amazon River. By the time I got there, my shirt was soaked and my legs were sticking together. I turned on the air-conditioning in the Caddy, but had to wait outside for the temperature to drop—the car was an oven. In my arms was the box of journals. They weighed me down painfully. Finally I sank into the plush leather seat and let the frigid jets cool my face, my underarms. I tugged my shirt away from my body to let the air caress my stomach with its icy fingers. I sighed in relief. I put the shift in reverse, and pulled out of the spot. It’s amazing how long a Caddy will last, particularly if you never drive it. Dad bought his in ’78. I looked down at the odometer. It had twenty-two thousand miles on it. And I had to admit it was comfortable, bobbing down the road on those marshmallow shocks, riding on tires of Jell-O. Like the kiddy-car rides he used to take me on before I graduated to the bumper cars and roller coasters. I recalled how I used to be embarrassed being seen in it, especially when my dad drove twenty miles an hour in a forty-mile zone. But not anymore. His Caddy was now the coolest thing going, only he would never know it. As far as he was concerned we still had the 1952 Studebaker. If he kept regressing on schedule, in another couple of weeks he’d be curled up with a bottle in the back of his father’s ’23 Daimler.
I pulled out of the parking lot and turned onto Military Trail. All the roads in West Palm Beach County look the same. Six lanes. No curves. Fast food. And every few feet the entrance to some development. The Lakes. The Bonaventure. The Greens. Everything had a The in it. They liked the word The. They also liked the word at. The Villages at The Palms. The Fairways at The Willows. I turned left at The Turn at Lake Worth Avenue.
The box of journals was sitting there beside me, sort of the way Mom used to sit next to Dad, waiting for an accident to happen. But unlike her, they smelled bad—musty and moldy, decayed. Well, maybe she smelled that way now, too, I thought. But I shook that away. I didn’t know why my mind let such thoughts sneak in. I hated when that happened. But it was just part of being a comic. You always think funny. For instance, the box they were in—I noticed it was a Cheez Whiz box. This made me laugh. This is what Father chose to contain his life’s writings? I also noticed the logo was different than it is now. So it was a really old box. He’d been working at this a long, long time. Saving this stuff up, just for this moment. His patrimony. Since he had no money, maybe he thought I could get it published or something. Why would he think that? He ran a wallpaper store all his life. Who would want to read about that?
I was jolted suddenly, by someone honking the horn. I looked up and the guy passed me, making a fist. I glanced down at the speedometer. I was doing twenty in a forty-mile zone. For some reason this did not strike me as funny—and I stepped on the gas.
I pulled up to his building at The Ponds at Lakeshore and turned off the engine. There were only American cars in the lot, primarily Cadillacs and Buicks, and most of them had American flags on them. A gaggle of women were standing near the entrance. They were all small. How did they get so small? I wondered. They had to be less small once upon a time. Will Ella be that small one day? She’s five-eight now—could she end up four-ten? I stepped out of the car, thinking I would just leave the journals in the front seat for a while, but I knew I couldn’t. I would have to take them upstairs. But I thought: Wait. How come they weren’t in the apartment in the first place? I didn’t remember ever seeing them there. I didn’t remember him ever speaking about them. I didn’t remember him ever working on them, for that matter. Why would they suddenly appear at the nursing home? Why wouldn’t he just say, there are journals in the closet at home—I want you to read them?
The box suddenly looked even more dangerous to me. Poisonous. Like a scorpion that had crawled into my sleeping bag. I went around the other side and picked it up. It had to have been stored in a basement or attic—it had that smell to it, like damp earth. I thought: shouldn’t I remember something about this? How could he have written twenty-four volumes without my ever having noticed? Maybe they were someone else’s journals. Maybe he only thought they were his. That was possible. Totally possible. Sometimes he thought I was some cousin or someone named Israel—so why not?
I walked past the little ladies, and they all said hello. I said hello back and got into the elevator. I heard someone say, that was Gladys’s son. No, someone else said, that’s Rose’s.
They never mentioned the men. The men had no children. Only the women. And anyway, my mother’s name was Lily.
The elevator smelled like an indoor swimming pool. It crawled slowly up the side of the building like a dying man clawing his way out of a hole. It was only four floors, but in San Francisco I’d already be at the top of the Transamerica Pyramid. At least it was air-conditioned. But then the door opened onto the hall—which was no hall, it was actually a kind of gangway stuck on the outside of the building like an exposed rib—and the heat hit me again. I could feel rivers of moisture forming on my arms where the box rubbed against them. As always, it was a struggle to open the door. Finally, though, I stepped inside, shut the heat behind me, and put the box down on the dining room table. I went to the refrigerator and made myself a seltzer.
Then I picked up the phone to call Ella, but then I didn’t.
You call because you want to connect, but you don’t connect, you can never connect, you can’t wait to hang up, you hang up, you feel utterly alone—like you’re stuck in the bottom of a swimming pool and can’t hear anything except your own breathing. The thing is, you see, it’s the words. It’s just like a stand-up routine, or a sermon maybe. You work hard on the words, and you think the words say it, but actually it’s the delivery, and the delivery is in your body, your eyes, the fact that someone is right there in front of you and even if you can’t see them as individuals, it’s that you smell them, you sense their bodies there, it’s physical, it’s visceral.
But then why do comedy albums work? And radio? Not to mention things that are written, like, say, the Talmud? My theory was hopeless, and I knew it.
Anyway what would I say to her?
She was oddly vexed that I’d come out here again. “If you’d pay as much attention to your son as you do your father . . .” she said when I first told her, but then she just let herself drift into silence. “By the time I get there he might not even recognize me,” I’d tried to explain. But I doubted she heard me, since she’d already hung up.
I supposed I could tell her about the box. I could ask her if she remembered anyone named Frau Hellman. Then I could ask her what she thought I ought to do.
“I don’t know,” she would say. “I’m not sure.” She didn’t like to make decisions for me. At least not since the divorce.
If I told her I didn’t think I wanted to read them, she would say, “That’s fine.” If I said I was going to read them, she’d say, “That’s fine too.”
Really, when you think about it, you don’t have to have actual conversations with people you know well.
Also if I called, what if Josh answered? I couldn’t face him just then. I wasn’t sure why. And why was my own father suddenly so desperate to talk to me—now when he didn’t even know what year it was. I looked over at the Cheez Whiz box. All its little advertising slogans seemed more like curses and portents than inducements to slather some spread on a cracker.
I finished my seltzer, marveling at the tenacity of that generation of Jews to hold on to its old habits. How many places in the world could you still get seltzer delivered to your door?
I fixed myself a little sandwich and sat down at the dining room table. On the wall directly above my head was a tapestry of the Old City of Jerusalem—bright, tacky colors, somewhat abstract, and obviously made in Israel. In the living room just beyond, the walls seemed festooned with Judaica—fiddlers on roofs, flying goats, old, bearded men wrapped in prayer shawls, framed calligraphic paper cutouts of Hebrew letters. On the bookshelves were innumerable tchotchkes—cloisonné ashtrays in the shape of menorahs, ritual spice boxes, candlesticks, commemorative Israeli coins set off in black velvet, a sterling silver–covered Passover Haggadah (also made in Israel), and on the top shelf, standing like the guardian of all that is Jewish, the Hanukkah menorah—which in fact was surrounded by four lesser menorahs, all of which were given to my father in honor of some achievement for the Temple Men’s Club, or the B’nai B’rith, or AIPAC. There were photos stuck among the books, too—of Mom on the Hadassah Executive, the Sisterhood, and the ladies from ORT. Of Dad shaking hands with Elie Wiesel. Of Dad shaking hands with Natan Sharansky. Of Dad shaking hands with Golda Meir. (That was his favorite—it hung on the wall in a big frame, right between my sixth-grade school portrait and Karen, two months old, naked on a blanket.)
I think it got worse once they moved down to Florida. In New Jersey it was more prints of famous paintings—Rembrandt, van Gogh, Picasso. The books on the shelves didn’t seem so relentlessly Hebraic. A Stephen King novel or two. Valley of the Dolls. And all the things we kids brought home that had to be displayed: drawings, ceramics, term papers, birthday cards. But even then, the Jewish paraphernalia seemed to swallow up everything like kudzu, and by the time I left for college, my parents’ house could have been mistaken for the temple gift shop. It was funny, really. I used it as material for one of my best routines.
But now as I sat there regarding the Cheez Whiz box of leather-bound diaries, and hearing somewhere not too far away the laconic song of a bull alligator emerging from the canal that cut through the eighth fairway of The Ponds at Lakeshore golf course, and picking up the aroma from next door, or perhaps from the floor below, of brisket simmering in the Dutch oven, and noting as well that Mrs. Eagleberg, several doors down, had reached that point in the day when she spoke to her daughter in Chicago as if there were no telephone line connecting them, so loudly did she elucidate the machinations of her bowels and the tribulations of her swollen ankles—all these things filled me with a terrible longing.
From the Hardcover edition.Related
Additional information
ASIN | B000OI0FYE |
---|---|
Publisher | Random House; Reprint edition February 13 2007 |
Publication date | February 13 2007 |
Language | English |
File size | 720 KB |
Text-to-Speech | Enabled |
Screen Reader | Supported |
Enhanced typesetting | Enabled |
X-Ray | Not Enabled |
Word Wise | Enabled |
Print length | 296 pages |
Lending | Not Enabled |
Alex Shapiro
A powerful reading on the Jewish issue which is, alas, not available in the Hebrew edition.After finishing reading this book I was in the state of shock, as like after reading a good and powerful book. I consider it to be one of my favorite books I have read in the last ten years. One thing surprises me though: it has been translated in many languages, but not in Hebrew, even though it deals with the Jewish subject. On several occasions, while traveling to Israel, I was asking at their central book stores if they have a Hebrew edition of it, to buy it to my friends who do not read English. And each time, after giving me a negative answer, the clerks often would wonder why I’m so anxious to get it. After explaining what it was about, they then asked me for the correct English name and the name of its author while telling that they would definitely order it from Amazon.
Cinthia Ritchie
Bittersweet and haunting story about the intersection of truth, forgiveness and redemptionWow, I couldn’t stop reading this engrossing story about a man examining his own life, and his father’s life, as his father lies dying in a nursing home. The beginning is light, even funny at times, but as the story unfolds it becomes darker and bleaker, and yet Lavigne wisely inserts little pockets of humor because, face it, we always seek humor in our lives, and the more heavily we fall, the more we need it.The story revolves around a son’s quest to discover his who his father really is. Is he the outstanding Jewish man he always assumed his father to be? Or is he a German war criminal who worked in various concentration camps as an accountant, carefully tracking each shoe, each gold filling, each watch taken from Jewish victims?Here’s the plot in a nutshell: Michael Rosenheim is a comic who admits that he’s only funny because he’s sad. He’s divorced and has one son, who lives back in San Francisco with his ex-wife. Rosenheim is in Florida, caring for his dying father, whom he knows as Heshel Rosenheim, though he’s most likely his father is really Heinrich Mueller.Michael Rosenheim learns this through reading old notebooks given to him by his father (who also has dementia, by the way). The notebook entries are fascinating from a historical perspective, though they begin to drag by the middle, when readers could easily become overly-eager for the story to unfold, to move faster. We want to know who the father really is and if forgiveness or redemption is ever possible.And this is the question of the book: Can we forgive the ones we love for being who they are? Can we forgive them for their pasts? Their mistakes? Their blind and ugly truths?It’s a bittersweet story, and it leaves a lot of questions unanswered in the end, yet this somehow seems right. It seems perfect, actually.I highly recommend “Not Me.”
Pamela Bell
ID MeltdownThis is a thoughtfully conceived novel about identity, guilt and recreating oneself to ultimate redemption. Towards the end of WW11, an SS administrator changes his identity to save himself and he remains in that identity for the rest of his life to keep hidden. His new persona opposes all his original beliefs. The novel alternates between this man’s journal story and his son’s reaction to reading his father’s story. In turn, the son experiences his own identity crisis, particularly since he is already going through turmoil due to a family split-up. This book is a complex achievement which challenges the reader on a philosophical level to think about humanity’s worst flaws, the capacity for forgiveness, plus the helplessness we have in controlling where ours lives go and in deciding whether we should love the unlovable or not.
John M. Wilson
A little too clutteredAn interesting and promising premise: discovering oneself, reluctantly, through one’s own father’s diary. The narrator/protagonist threads his way through his father’s devious past from the Holocaust to Israel to America, surviving as a Nazi collaborator, German Jewish refugee, opportunistic Arab impersonator on the way to becoming a secular Jew. What is real and what is true in the diary, and what is the son’s own identity in relation to his own son, his ex-wife, his dead sister, his mother, and the Jewish community he lives in. The story does not entirely escape improbability, nor does it quite reach the level of allegory. Underdeveloped or irrelevant characters clutter the progress toward the protagonist’s enlightenment. I found it difficult to develop any empathy with any of the characters, except the son of the narrator whose part is very small. I think the author is aiming to pose compassion as a human dilemma; but, for me, the story is a little too cluttered to put the reader square in that place.
Amazon Customer
Not as good as I had hopedI read a lot of WWII books and the description of this book really caught my attention. The Father in this book is an accountant and works in a concentration camp. Fearing the end is near, he shaves his head, tattoos himself and pretends he is one of the Jews needing saving from this camp. What an interesting story line…..I just wish the rest of the book could have been as interesting. The book had no likeable characters in it and ended with too many unresolved issues for my liking. All in all it was “OK” book at best. I was very intrigued by this story line, but felt it fell short in many ways. I will likely not seek out more books by this author.
Happy & Satisfied
Amazing.I expected I would not like this book as I usually avoid something like this subject.It is a book a member of my book club picked. And I am glad she did pick it. The writing is excellent and the author mange’s to go from current time to the past again in a very clear way. This book will stay with me for a long time.
Shel10
Good ReadGood story with a predictable, but unusual plot. An unusual story, but once plot is revealed, the end is predictable. The mystery of who was providing the diary was not well developed. They story provides hope that an individual who was part of terrible events can turn their life into something good.
Kindle Customer
Excellent readThis is the best book I have read this year. I would highly recommend this to anyone interested in the holocaust, and will be reading more from this author.
Sarah
Great readReally enjoyed reading this book, well written. Insightful. Challenging in a good way. I recommend it and felt a deepening understanding of the main characters as the book progressed
M. E. Brewster
Five StarsA good copy and arrived on the advertised date.